“The Secret Agent” review
Jan 21, 2026
It’s another win for Brazil. A year after Walter Salles took home the Best International Feature Oscar for “I’m Still Here”, all eyes are no...
Puregold CinePanalo and FDCP Partner to Open Global Opportunities for Filipino Filmmakers
Jan 20, 2026
Puregold CinePanalo Film Festival, now in its third year, has become a platform that opens meaningful opportunities for Filipino filmmakers....
“Nouvelle Vague” review: the daredevil of French cinema
Jan 17, 2026
Before Jean-Luc Godard became one of the prominent filmmakers of the French New Wave, he was a prolific film critic for Cahiers du Cinéma. T...
“Hamnet” review: Shakespeare in grief
Jan 12, 2026
Based on Maggie O’Farrell’s fictionalized retelling of William and Agnes Shakespeare’s sorrowful period during parenthood, “Hamnet” is a swe...
“Anaconda” review: Meta comedy lacks the bite
Jan 10, 2026
Actor Griffen (Paul Rudd) is looking for his next big role after being stuck in a stream of bit parts. After a shoot, he wanders around the ...
“Manila’s Finest” is the Filipino noir we need
Dec 26, 2025
An entry to the 2025 edition of Metro Manila Film Festival, Raymond Red’s “Manila’s Finest” offers a creeping observation of the Filipino po...
“The History of Sound” review
Dec 11, 2025
“The History of Sound” acknowledges that the deepest and most romantic form of gesture is simply remembering. Set in the late 1910s, the fi...
Puregold CinePanalo student shorts winners to receive full scholarships, tuition discounts from APFI
Dec 6, 2025
In a recently forged partnership, the Puregold CinePanalo Film Festival and the Asia Pacific Film Institute committed to providing full scho...
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