‘La La Land’ sets itself up clearly as a love letter to Hollywood’s older musicals. On its opening scene, director Damien Chazelle breaks out an energetic musical sequence set in the tune of “Another Day of Sun” at a traffic-filled setting of a Los Angeles freeway, setting up the idea that the city is alive and well regardless of its busy lifestyle.
‘La La Land’ has been so focused to the familiar whimsical, tap-dancing musical numbers so much that when it ignores this completely, an effective mix of anger and glee ensues for its resolution. A long montage in the end was even inserted to show just how all of it can somewhat work very well despite being chaotic that it has become.
In a way, this oddly reflects to the conflicted condition of Hollywood musicals. It wasn’t as alive as before. Not as many people want it. But director Damien Chazelle is sure he wants to bring this back. Strangely enough, ‘La La Land’ is a bittersweet, if not, the quintessential love letter to movie musicals. The film honors it, attacks it, but like Mia and Sebastian in the movie, is not holding off their aspirations to let it down.
'La La Land' is now showing in cinemas nationwide from Pioneer Films! Rated PG by the MTRCB.
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